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“astonishingly pure tone, artistry and bewitching lyricism...”
The Herald Times

“dizzying virtuoso playing, together with her radiant musical sensibility...”
Dernieres Nouvelles d'Alsace

“impressive technique especially the purity of her classical style and by her bowing, both clear and rich, a characteristic of the Russian violin school...”
Le Nouvelliste, Sion

About

Lire la version Française

Violinist Liana Gourdjia has been acclaimed for her “astonishingly pure tone, artistry and bewitching lyricism.”
Liana was introduced to the violin by her grandmother, a violinist of a “Mosfilm” orchestra, at the age of four. Her first debut as a soloist with an orchestra was at the age of nine. At the age of six, Liana appeared on Moscow television as a rising star and has since performed recitals, with her mother, a collaborative pianist at the Moscow State Conservatory, in many prestigious venues throughout Russia including the Great Hall and the Tchaikovsky Hall in Moscow, and the Philharmonic Hall in Saint-Petersburg.

Some of her performance highlights include concerts in the Vatican for Pope Jean Paul II, performances and a subsequent CD release with the Melodia label for the 1996 Olympic Games in Atlanta, and for Unesco in Paris. Liana Gourdjia became a laureate of the Tchaikovsky International Competition for Young Artists in Sendai in Japan at the age of fourteen and subsequently appeared numerous times on television and radio programs dedicated to presenting young stars in Russia and Europe.

Liana Gourdjia was awarded the 2009-2011 residency with the Montgomery Symphony in US, where she served as a soloist, concertmaster and recitalist. The Montgomery Symphony had proudly supported Liana’s debut recital CD with pianist Efi Hackmey. She will be returning to the Marlboro Music festival for the third year’s fellowship in the summer of 2012. Other most recent and upcoming performances include a debut recital at the Theatre de la Ville in January 2012, solo recitals in Switzerland, France in the U.S including Les Musicales de Colmar, the Juventus Festival, Salines en Musique and Festival International de Wissembourg.

Winner of the Sion-Valais International Competition, Liana has also won prizes at the Michael Hill, Corpus Christi, Hudson Valley and Kingsville International Competitions. She has soloed with the Fort Wayne Philharmonic, Lithuanian National Symphony Orchestra, the Hudson Valley Philharmonic Orchestra, the Ashville Symphony Orchestra, City Music Cleveland, the Cleveland Chamber Orchestra, and the orchestras of Indiana University and the Cleveland Institute of Music under Daniel Hege, Paul Haas, James Gaffigan, Shlomo Mintz, Carl Topilow, Thomas Hinds, David Effron, Steven Smith, and Sergei Stadler.

As an active chamber musician, Ms. Gourdjia has collaborated with such artists as Jaime Laredo, Lawrence Power, Vladimir Mendelssohn, Marc Coppey, David Soyer, Antonio Meneses, Giovanni Belucci, François-Frederic Guy, Alexander Melnikov, Peter Laul, the Talich and the Vogler String Quartets among many other musicians. Liana has performed at festivals including the Printemps des Arts in Monte Carlo, Musique de Chambre de Lyon, the 92/Y in New York, Les Musicales de Compesieres in Geneva, Les Musicales de Colmar, and is a laureate of Juventus festival in France. A proponent of contemporary music, she has frequently premiered works, commissioned by her from prominent and upcoming composers. She served as a concertmaster of the New Music Ensemble at Indiana University under direction of David Dzubay, with whom she soloed in the Violin Concertino by acclaimed American composer Eugene O’Brien.

Liana began her studies at the famous Central Music School at the Moscow State Conservatory with renowned professors Iryna Bochkova and Maya Glezarova. Upon graduating, she moved to the U.S. to continue her studies with David and Linda Cerone at the Cleveland Institute of Music, where she received Bachelor and Master of Music degrees. Liana received an Artist Diploma from the Jacob’s School of Music at Indiana University, Bloomington, studying with Jaime Laredo. At The Indiana University she was the first recipient of the prestigious Jacob’s scholarship, and was subsequently awarded the Performance Certificate in recognition for outstanding performances at her degree recitals. Liana benefited from master classes with Menahem Pressler, Janos Starker, Gil Shaham, Alex Kerr, Pamela Frank, Arnold Steinhardt, Gabor Takacs and the Orion String Quartet. An avid reader, she is fluent in Russian, and English. Liana now lives in Paris, pursuing a career as a soloist and a chamber musician as well as studies in French.

Calendar

Full Concert Archive

Recital with Aurélien Pontier
Sonatas by Mozart and Brahms
Mairie du 19me arrondissement
Paris, France
January 29, 2012, 4:00 pm

Chamber Music Concert with Denis Pascal, piano
and Marc Coppey, cello

Bach, Dvorak, Saint-Saens
Halle aux Grains
Lavaur, France
March 31, 2012, 8:30 pm

Les Musicales de Colmar
Beethoven Concerto for Violin, Cello and Piano
with Marc Coppey, cello, Peter Laul, piano, SWR Sinfonieorchester Baden-Baden und Freiburg
May 13, 2012
Chamber Music Programs, May 16 - 20, 2012
Colmar, France
www.les-musicales.com

The Marlboro Music Festival
June 24 - August 13, 2012
Program TBA
Marlboro, Vermont, USA
www.marlboromusic.org

Festival de Musique du Chambre a Wissembourg
August 23, 2012

Repertoire



- Concertos -

Bach
E-Major, bwv 1042

Barber
G-Major, op. 14

Bartok
No. 2, Sz.112

Beethoven
D-Major, op. 61

Bruch
No. 1 in G-minor, op. 26

Brahms
D-Major, op. 77
Double Concerto for Violin and Cello in A-Minor, op. 102

Elgar
B-minor, op. 61

Glazunov
A-minor, op. 82

Lalo
Symphonie Espagnole, op. 21

Mendelssohn
E-minor, op. 64

Mozart
G-Major, KV216 D-Major, KV218 A-Major, KV219

Nielsen
Op. 33

O'Brien
Taking Measures

Prokofiev
No. 1 in D-Major, op. 19
No. 2 in G-minor, op. 63

Sibelius
D-minor, op. 47

Shostakovich
No. 1 in A-minor, op. 77

Stravinsky
D-Major

Tchaikovsky
D-Major, op. 35

Vieuxtemps
No. 5 in A-minor, op. 37

Wieniawski
No. 2 in D-minor, op. 22

 

- Sonatas and Short Pieces -

Bach
Complete Sonatas and Partitas

Beethoven
Complete Violin Sonatas

Brahms
Complete Sonatas for Violin and Piano

Corelli
La Folia

Dvorak
Four Romantic Pieces
Slavonic Dances
Sonatina for Violin and Piano
Dzubay (b.64)
Delicious Silence

Franck
Sonata in A Major

Gershwin - Heifetz
Porgy and Bess
Three Preludes

Kreisler
Preludium and Allegro
Caprice Viennoise

Mozart
Sonatas in E minor, K. 304, in G Major, in B flat Major

Paganini
Caprices, no. 1, 2, 6, 10, 11, 13, 16, 18, 19, 20, 21, 23, 24
Cantabile
Campanella

Prokofiev
Sonata in F minor, no 1

Ravel
Sonata in G Major
Sonata Posthume
Habanera

Saint - Saens
Introduction and Rondo Capriccioso
Sonata in d minor
Valse - Caprice

Szymanowski
Nocturne and Tarantella
Three Myths

Stravinsky
Duo Concertante
Suite Italienne

Tartini
Devil's Trill

Tchaikovsky
Melodie
Valse-Scherzo

Webern
Four Pieces op. 7

Wieniawski
Variations on the Original Theme

 

- Chamber Music -

Bartok
String Quartet no. 2 and no. 3

Beethoven
Piano Trios op. 70 no. 2, Kakadu Variations, Archduke

Brahms
Complete Piano Quartets
Piano Trios op. 8 in B Major and op. 87 in C Major
String Sextet in G Major, no. 2

Christian
Duo for Violin and Harp
Nuclear Winter
Mares

Dvorak
Piano Quintet, op. 81

Dzubay
Kukulkan

Franck
Piano Quintet in F minor

Ives
Trio for Violin, Clarinet, Piano

Prokofiev
Sonata for two violins

Ravel
Piano Trio in a minor
Duo for Violin and Cello

Shostakovich
Piano Quintet, op 57
Piano Trio no. 2 in E minor

Schoenberg
String Sextet Transfigured Night

Schubert
String Quartet No. 14 in D minor "Death and the Maiden"
Rosamunde

Tchaikovsky
Piano Trio in A minor
String Sextet Souvenir de Florence

Discography



Liana Gourdjia and Efi Hackmey

Liana Gourdjia &
Efi Hackmey

View cover art.
Listen to and buy Liana Gourdjia and Efi Hackmey music on CD Baby.

CD Credits:
Thomas Luekens, Sound engineer
Photo by Pete Checchia
Produced by The Montgomery Symphony
Tracklist:
Wolfgang Amadeus Mozart
Sonata in E minor, K 304
1. Allegro
2. Tempo di menuetto

Johannes Brahms
Sonata in G major for violin and piano, op. 78
3. Vivace ma non troppo
4. Adagio
5. Allegro molto moderato

Karol Szymanowski
Mythes, op. 30
6. Fountain of Arethusa
7. Narcissus
8. Dryads and Pan

Maurice Ravel
9. Tzigane

Pyotr Tchaikovsky
10. Valse sentimentale

Press Reviews

Download Complete Press Kit


ClassicInfo

.. Le concert restera donc dans les mémoires pour sa seconde partie, consacrée au Trio N°1 de Brahms... Ce soir, ce sont Liana Gourdjia, Marc Coppey et Julien Libeer qui sont à la manœuvre, et qui y atteignent des hauteurs qui ne sont pas souvent fréquentées. Les trois musiciens sont exemplaires à de multiples niveaux: techniquement parfaitement au point, ils dominent la partition sans faiblir, et offrent des sonorités individuelles et collective somptueuses. Les trois tempéraments s’allient de manière admirable: Liana Gourdjia et Marc Coppey sont des complices-nés, et s’entendent à un degré difficile à égaler, tout en rivalisant d’ardeur, de fougue et de générosité...



The Herald Times

.. what one heard was always right on the mark, clear and tidy and, where subtlety was called for, astonishingly pure. Artistically, she was also able to find, beneath and within often acerbic figures, a bewitching lyricism. At times, music and interpretation became hauntingly suggestive of musical poetry.
And when she came to the concerto's middle movement, the biting, mischievous Scherzo, Gourdjia proved she was ready for the game and capable of conquest...



Husseren-Wesserling - «A new level has been reached»
Version Française

On Saturday night concert for «Credit Mutual de la Thur», Jacques Humbert, President of the Soth Alsace district announced one of his precepts: «In music, there are no relationships without listening.» There were indeed warm and rich relationships, between the violin virtuoso Liana Gourdjia and the audience.

Fully focused, the violinist revealed a baroque soul to serve Bach well, with cadences, marvelous vibrato and astounding musicality. Liana mastered the music of Sibelius with maturity. She did not spare the lyrical passages and played with great finesse and an innate sense of legato.

But, it was especially with Tchaikovsky, in his «Melody», that she allowed her exceptional talent to shine. By her technical command and the magnificent sonorities, drawn from her violin, she offered a remarkable rendering. In this work she created a palpable emotion through her serene and poetic bow. One must not forget her accopmanist, Karine Selo from the Paris Conservatory, who was able to adapt to the playing of the violinist with finesse, while enriching it frequently with superb nuances.
Lam
October 21, 2010



Les Dernières Notes
Version Française

An amazing concert Saturday evening at the Musicales du Parc de Wesserling with guest soloist, the Russian violinist, Liana Gourdjia.

The last notes of «Melody» by Tchaikovsky concluded softly as if regretfully leaving the hand and the bow. After having played J.S. Bach and Sibelius, Liana returned to her country of birth to chant the soul of the land of her Russian heritage with fire and music of dancing and singing of the soul and bow, mirroring that of magic baton. It was a blessed moment.

«A beautiful poetic moment.»

The Bach C Major Violin Solo Sonata had already announced a musician who is one with her vioiln. Not trying to hide her emotions, with face from time to time seemingly tortured, and, by contrast, in a graceful passage, showing the hint of smile before she freed it imperceptably. When the bow flies over the strings, her movement becomes full, with hands trembling and her face like that of a Madonna watching over her child.

The audience allows itself to slip into the safety of delight and follow her when she mounts the paths of passion. The work of Sibelius «Three Pieces for Violin and Piano» displayed a beautiful accord between the pianist Karin Selo and Liana Gourdjia, each listening to one another and one with keys dancing on the piano, the other tickling the strings with zest, creating a beautiful moment of poetry and emotion, shared as well by the audience.
L.G.
October 19, 2010

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